ENG:
Plan:
Click on the desired section.
Section number:
# 8
Title:
Social Network Stitches
Tags:
Processes / slit:
Name of processes:
Denial // Solidarity
Slit:
Double Slit Experiment
Denial // Solidarity
Slit:Double Slit Experiment
Color:
Color number:
#ffffff
R, G, B:255, 255, 255
Section plan:
List of works:
A: slideshow ST()RE #15: Greenhouse Conditions
B: installation Zones of Repression
C: object Malevich's Coffin Pierced with a Sickle
D: obiekt Szwy: Wolność dla wszystkich!
E: two vertical slits
A: slideshow ST()RE #15: Greenhouse Conditions
B: installation Zones of Repression
C: object Malevich's Coffin Pierced with a Sickle
D: obiekt Szwy: Wolność dla wszystkich!
E: two vertical slits
A :
Slideshow
ST()RE #15: Greenhouse Conditions
From the cycle ST()RE
2019
8’20”
The double slideshow, created in 2019, predates the pandemic, war, and other disasters (the project was ironically titled Greenhouse Conditions at that time), as well as the establishment of the artist's first studio. At that time, the studio was a computer, and the slideshow documents the processes and explorations, archives, and images created under greenhouse conditions.
ST()RE #15: Greenhouse Conditions
From the cycle ST()RE2019
8’20”
The double slideshow, created in 2019, predates the pandemic, war, and other disasters (the project was ironically titled Greenhouse Conditions at that time), as well as the establishment of the artist's first studio. At that time, the studio was a computer, and the slideshow documents the processes and explorations, archives, and images created under greenhouse conditions.
B:
Installation
2024
In Minsk, men meet in public restrooms, leaving notes on the walls. However, due to censorship and the extreme sterility of public spaces, the writings were quickly erased by cleaning services, prompting men to begin writing and drawing their messages in the gaps between tiles. This serves as an example of both an archive of dirty slang and an illustration of the social grid.
Zones of Repression
From the cycle Displacement Zones2024
In Minsk, men meet in public restrooms, leaving notes on the walls. However, due to censorship and the extreme sterility of public spaces, the writings were quickly erased by cleaning services, prompting men to begin writing and drawing their messages in the gaps between tiles. This serves as an example of both an archive of dirty slang and an illustration of the social grid.
C:
Sculptural object
2024
A model of a sickle passes through the model of the coffin in which Kazimir Malevich was buried. It is also an image of a crack/cut in the form of Soviet terror, which tragically influenced Malevich's fate and his legacy.
Idea, modeling: Sergey Shabohin. Modeling and 3D printing: Roman Shabohin
Malevich's Coffin Pierced with a Sickle
From the cycle Atlas of Tectonic Landscapes2024
A model of a sickle passes through the model of the coffin in which Kazimir Malevich was buried. It is also an image of a crack/cut in the form of Soviet terror, which tragically influenced Malevich's fate and his legacy.
Idea, modeling: Sergey Shabohin. Modeling and 3D printing: Roman Shabohin
D:
Object
2016
On the reverse side of the white-red-white flag, a six-colored rainbow flag of the LGBTQA+ movement has been attached using multicolored threads. This piece is a manifesto asserting that the fight for freedom encompasses freedom for all. The colorful stitches show through on the flag, symbolizing the inseparability of both proclaimed demands. It is the only piece in this installation that features bright colors.
The exhibition presents a black and white version of the photo
Seams: Freedom for All!
From the cycle Atlas of Tectonic Landscapes2016
On the reverse side of the white-red-white flag, a six-colored rainbow flag of the LGBTQA+ movement has been attached using multicolored threads. This piece is a manifesto asserting that the fight for freedom encompasses freedom for all. The colorful stitches show through on the flag, symbolizing the inseparability of both proclaimed demands. It is the only piece in this installation that features bright colors.
The exhibition presents a black and white version of the photo
E:
Slits
Two vertical slits.
Two vertical slits.
Photos:
