PUST*

Final presentation

Date:

November 23 — 26, 2017 
Presentation: November 23, 2017 at 20:00

Place:

Berthold Centre, Saint Petersburg, Russia

Group:

PUST* team:

Concept, performance:  
Isadorino Gore Dance co-op (Daria Plokhova, Alexandra Portyannikova)
Costumes:
VOLNA

Concept, production:  
VOLNA (Nikita Golyshev, Snezhana Vinogradova)
Electronic assembly support:
Nikita Savinyh
Assembly:
VOLNA (Dmitry Gavkalyuk, Katerina Morza)

Composer:
Yuri Akbalkan
Development and programming of digital synthesizer:
Sergey Kostyrko

Concept, editing, production:
VOLNA
Camera:
Alexey Kubasov, Sergey Shabohin

Camera:  
Polina Korotaeva, VOLNA
Photo:  
Valery Smirnov

Director:  
Dr. Günther Hasenkamp
Initiator of the project, Director of Goethe-Institut St. Petersburg, 2014 – 2017:  
Dr. Angelika Eder
Project coordinators:  
Jana Soboleva, Snezhana Vinogradova

ПУСТ* (PUST) is an interdisciplinary project exploring the processes of mythologization of a specific historical event – the Belavezha Accords of 1991. The project includes а light installation, dance, sound, multi-channel video, along with found and specially created objects.

The title ПУСТ* refers to events that took place on December 7–8, 1991, during which time the presidents of Russia, Ukraine and Belarus signed the Belavezha Accords, officially dissolving the Soviet Union. This event took place in a hunting cabin in the woods of the Belavezha Forest (Belarus) under the veil of secrecy and still mythologized to this day. Various sources report a variety of controversial events. Some assert that the premises where the treaty was signed had been surrounded by secret services that did not intervene in what was taking place. Other sources state that the treaties were signed in a drunken state. There is a prevalent rumor that that, once signed, the documents temporarily disappeared and were then found in the trash bin the following day. Others conjecture that the signatories feared being accused of treason and had made preparations to flee across the border to Poland by walking through the forest.








The artists behind the ПУСТ* project are representatives of a generation that was caught up in the collapse of the USSR and felt the consequences of this breakup over two eras, but did not directly participate in the related events due to their young age at the time. The ПУСТ*Project is an attempt to fill in gaps in one’s own «mental map» and make this event a part of a restored historical memory.

Incorporating multiple artistic methods and approaches, the collective attempts to imagine the events in the Belavezha Forest from the perspective of its participants, drawing parallels between fear of the «wild forest» and fear of wild politics, between being completely adrift but also spontaneously decisive, between the enormous impact of this enormous political decision and a series of unpredictable and absurd factors that influenced it behind the scenes.

The title ПУСТ* has several connotations: On the one hand, it signifies a «wild, uninhabited, dense, pathless forest» (Belavezha Forest) that would otherwise be primarily defined by emptiness and desolation. At the same time, the word means «let it be,» which signifies a kind of acceptance of having to inhabit the political wilderness. This is a criticism of society and ourselves.

ПУСТ* is the resulting project of the Interdisciplinary Laboratory – a large-scale project of Goethe-Institut Eastern Europe and Central Asia. In 2016, the collective worked as guest artists in Karlsruhe and, as an outcome of the residency, presented the first outline of ПУСТ* in ZKM. In 2017, the collective visited the site of the historical event, the Belavezha Forest, and collected audio and video material for the exhibit. The final presentation took place on November 23 – 26, 2017 in St. Petersburg.

Viewing the Belavezha event as an act of creating political myths with a kind of fairy tale behind it, various symbolic objects were found: brushwood, fern, anthill, wild animals and other images filled with paganism, ceremonial alcohol as an invariable attribute of fantasy and conjecture, Soviet crystal, a long negotiation table, the document itself and the bizarre story of its creation and disappearance. The team created an eight-channel synthesizer that uses phase-shifted analog sine-waves to generate constantly changing ambient-noise landscapes in real-time. Schwarzwald light installationacted as stand alone object during the exhibition, providing scenography for the performance and allowing visitors to enter the conditional forest. The video was produced in the woods of the Belavezha Forest (Belarus) and in Schwarzwald (Germany) and built into the exhibition as a multi-channel installation. The choreography consisted of various bodily patterns: movements of ordinary Soviet citizens (the social body), images of forest phantoms and natural / political savagery, the plasticity of politicians including the facial expressions of Belarusian President Stanislav Shushkevich and a dance of Boris Yeltsin.

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