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Group exhibition:
ID: E19.21


Title:

Whole Poland.
The Expedition to
the Sources of Art




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Date:
December 13, 2019 — February 2, 2020

Place:
BWA Wrocław Gallery Contemporary Art, Wroclaw, Poland

Curators:
Anna Mituś, BWA Wrocław curatorial team

Artists:
9/10 (Jakub Borkowicz and invited artists: Ula Lucinska and Michał Knychaus, or Inside Job), Jan Baszak, Piotr Bruch, Centrum Centrum (Łukasz Jastrubczak and Małgorzata Mazur), Maciej Cholewa, CSW Wiewiórka (Cecylia Malik and Bartolomeo Koczenasz ), DOMIE (Katarzyna Wojtczak and Martyna Miller), Primer for City Dwellers (Arkadiusz Półtorak, Martyna Nowicka and invited artists: Mikołaj Małek and Leona Jacewska), Galeria Czynna (Łukasz Ogórek, Marcin Polak, Tomasz Załuski and invited artist: Paweł Kowzan), Computer gallery (Łukasz Radziszewski and Szymon Kaniewski and invited artist: Bartosz Zaskórski), Śmierć Frajerom Gallery (Nikodem Baiser, Dominik Jałowiński, Jakub Gliński), Penny Matters (Maja Demska, Alicja Wysocka), How to Forget (Karolina Jarzębak, Tomek Nowak and invited artist: Arek Dec), JEST (Agata Lankamer, Iza Opiełka, Magdalena Kanawka, Krzysztof Latarowski, Piotr Bzdęga), Kalektar.org (Sergey Shabohin), Latarnia Górska (Konr ad Brynda, Piotr Bujas, Paweł Krzaczkowski, Katarzyna Szumska), Kasper Lecnim and Irmina Rusicka, Łęctwo (Przemek Sowiński and invited artists: Grzegorz Bożek, Agnieszka Grodzińska, Paweł Marcinek, Przemysław Piniak, Zuza Piekoszewska, Paweł Szostak), Paweł Matyszewski, Obrońców Stalingradu 17 (Defenders and invited artists: Rafał Pietrusewicz / Rufus, Iga Świeściak, Grażyna Monika Olszewska), ODIO (Aleksandra Ozimek), Post Brothers, Potencja (Karolina Jabłońska, Tomasz Kręcicki, Cyril Polaczek), Studio of Portrait (Katarzyna Stańczak, Maciej Łuczak and invited artist: Jakob Forster), Marek Rachwalik, Iza Tarasewicz, Żurnal Zin (Emilia Bocianowska, Nico Carmandaye, Anna Maria Koronkiewicz)
   
Works:
Installation Smuggling of Biomaterials (Car Door)
in collaboration with Paweł Matyszewski;
Information wallpapers Kalektar.org
  
Sergey Shabohin and Paweł Matyszewski:
Smuggling of Biomaterials
(Car Door / BMW E6-43R-00048),
2019


Explication:
The concept of the exhibition refers to the period of “curatorial pilgrimages” from the eighties of the twentieth century, undertaken by researchers and curators of art during the institutional boycott. Just like at that time, also today their aim is to recognize new important phenomena and trends in current national art which haven’t been falsified by institutional or ideological mediation. The exhibition will be created at the intersection of studies and queries carried out by the BWA Wrocław curatorial team as a combination of a documentary road movie and artifacts acquired during the query.
Sergey Shabohin:
information wallpapers Kalektar.org,
2019